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Rick Fernandes, on the subject of split-screens:
We start off by shooting half the screen with MJH talking to her Double to get dialogue timing and shadows right. Once we have that half down on tape we play that tape back to her and we record the other half. We still use the double so we can have real shadows cast on her. In editing we sync up the two sides do a wipe down the center and we have two MJH's. When she handed herself the ticket there was an extra step of Frame By Frame painting. That's why some of you see a flicker; there were no FX houses in Orlando that can do Field By Field, which would have cleaned up any flicker.
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